In Paradise...

In Paradise perchance the eye may stray
from gazing upon everlasting Day
to see the day illumined, and renew
from mirrored truth the likeness of the True
J.R.R. Tolkien
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An interesting piece entitled: "Deep lies the sea-longing" inklings of home (1).
by Charles Huttar (2007) may be found on
2007 Mythopoeic Society

The Bent One in "Out of the Silent Planet"

Out of the Silent Planet saves its allegorical work for the end when Ransom meets the Archangel of Mars (Malacandra). Even there, one has to have been brought up on the Bible in a living and abiding way (esp. the books of Daniel and Isaiah) to connect Oyarsas to (planetary) archangels, and Malacandra's tale of The Bent One and his fall (wounded in the very light of his light = and I saw Satan fall from heaven like lightning) to Lucifer. Likewise, "Thulcandra" = The Silent Planet, that is earth, a world from which no news comes, because our Oyarsa has become "Bent" and our world is quarantined. And the nice addition of Malacandra telling Ransom that the Maleldil (meaning "Friend of the Eldila" or angels, God the Father) has "taken strange councils" and dared terrible things, and how these are things that the out-of-the-loop Oyarsas "desire to look into". One raised on the Bible will immediately pick up on this. But it's not likely anyone else will.

The Bent One

After Tolkien on ‘critics as Jabberwocks’, Lewis on the critics, and the opportunities that their myopia bring to the discerning author -- see my posting ‘Stealing Past the Watchful Dragons’ on the 20th October too -- bringing my little series on ‘Dragons’ to a close is this letter from C.S. Lewis. (Roger R)

---oOo---

You will be both grieved and amused to hear that out of about 60 reviews only 2 showed any knowledge that my idea of the fall of the Bent One was anything but an invention of my own. But if there only was someone with a richer talent and more leisure I think that this great ignorance might be a help to the evangelisation of England; any amount of theology can now be smuggles into people’s minds under cover of romance without their knowing it.

C.S. Lewis ~ Letter to a Lady, 9 July 1939

Stealing Past the Watchful Dragons

Though in many ways the genius behind the Inklings was Tolkien’s — and the Inklings was a surrogate for an earlier “writer’s club” that Tolkien had helped found but which was decimated by World War I — Lewis was its center of gravity, its draw, and its ongoing source of energy. His ebullient personality was in great contrast to Tolkien’s more shy and retiring demeanor. Lewis’s group criticism could be pointed and personal, but always rendered for the sake of making a work more “seaworthy”; Tolkien’s was more muted, and focused on encouragement. What brought them together week after week, besides the pleasure of their company (which was enormous), was a shared conviction that the twentieth century had started abysmally and that one of the best ways to maintain or restore the glories of the “true West” was to create and promote grand works of mythopoeia — myth, fantasy, and speculative fiction that would “steal past the watchful dragons” of conventional wisdom and decadent culture and instill what Lewis called “a taste of the other” — a vision of a transcendent realm.

Dr. Bruce L. Edwards (Bowling Green State University)
Who Were The Inklings? (excerpt)

The Seed of Dragons

In 1939, Tolkien gave a talk at Oxford on 'Fairy-Stories', later published in Essays presented to Charles Williams. In this he quoted a poem he had written for Lewis (cf. Carpenter, Inklings, 63):
Man, Sub-creator, the refracted Light
through whom is splintered from a single White
to many hues, and endlessly combined
in living shapes that move from mind to mind.
Though all the crannies of the world we filled
with Elves and Goblins, though we dared to build
Gods and their houses out of dark and light,
and sowed the seed of dragons -- 'twas our right
(used or misused), that right has not decayed:
we make still by the law in which we're made.

Thus Tolkien saw our (inklings) creativity as something like craft: a pleasant matter of professional obligation as a human being.

Coins, his dragon's loins

The king has set up his mint by Thames.
He has struck coins; his dragon's loins
germinate a crowded creaturely brood
to scuttle and scurry between towns and towns,
to furnish dishes and flagons with change of food;
small crowns, small dragons, hurry to the markets
under the king's smile, or flat in houses squat.
The long file of their snout crosses the empire,
and the other themes acknowledge our king's head.
They carry on their backs little packs of value,
caravans; but I dreamed the head of a dead king
was carried on all, that they teemed on house-roofs
where men stared and studied them as I your thumbs' epigrams,
hearing the City say Feed my lambs
to you and the king; the king can tame dragons to carriers,
but I came through the night, and saw the dragonlets' eyes
leer and peer, and the house-roofs under their weight
creak and break; shadows of great forms
halloed them on, and followed over falling towns.
I saw that this was the true end of our making;
mother of children, redeem the new law.

Taliessin's look darkened; his hand shook
while he touched the dragons; he said 'We had a good thought.
Sir, if you made verse you would doubt symbols.
I am afraid of the little loosed dragons.
When the means are autonomous, they are deadly; when words
escape from verse they hurry to rape souls;
when sensation slips from intellect, expect the tyrant;
the brood of carriers levels the good they carry.
We have taught our images to be free; are we glad?
are we glad to have brought convenient heresy to Logres?

Charles Williams ~ ‘Bors to Elayne: on the King’s Coins’
Arthurian Poets (The Boydell Press) 1991 (extract)

---oOo---
Lewis on Taliessin
Dec. 15th 1945
“... I am (these last 6 months) immersed in a v. different poet who I think great – Charles Williams: the two volumes of his Arthurian poems Taliessin and The Region of the Summer Stars. Inexcusably difficult, as I always told him, but here there really is something behind the difficulty – that something wh. we all need most in literature at present & wh. I wd. call opaque splendour – thick, rich, solid, heavy – porphyry, gold diamond.”
CS Lewis ~ Collected Letters

On Dragon Island

Laying anchor off the shore of the island, most of the ship's company went to the island to restore provisions, repair the broken water casks, and find a tree to fell and replace the Dawn Treader's broken mast.

Not wanting to work, Eustace ran off to find a shady spot. Wandering off into the mist, Eustace became lost and found his way into a valley where dwelled a dragon. The dragon had only just come out of its cave when it lay down and died. Eustace went into the cave and found its treasure horde -- donning a rather lovely golden bracelet he found -- and lay down to sleep. When he woke up, he found himself in the form of the dragon. In a panic, he tore his way out of the valley and came down to the beach. The crew was about to slay him when he was challenged by Caspian and Reepicheep, who quickly deduced who he really was.

Working with the crew for a while, Eustace became disheartened in that he might have to remain on the island since he won't fit on the Dawn Treader. However, Aslan appeared to heal him and restore him to human form so that he could remove the bracelet, which Caspian recognized as belonging to the Lord Octesian. At the end, when the ship was ready to set sail, they decided that the dragon had either killed Octesian, or was itself the lord transformed.

"A powerful dragon crying its eyes out under the moon in a deserted valley is a sight and a sound hardly to be imagined."

C. S. Lewis ~ The Voyage of the Dawn Treader

---oOo---

This is what another writer made of the Story...

Eustace has little respect for others and lacks a sense of fairness: he tries to take more than his rightful share of water rations and lies about it, and later he slips away from his companions to avoid doing his part of the work. is behavior is beastly, and he turns literally into a monster, cut off from other human beings: he becomes a dragon – a creature straight out of the imaginative stories he had resisted. Only then can he begin to get outside himself, imagine how others see him, and “wonder if he himself had been such a nice person as he had always supposed”. After being un-dragoned by Aslan, he is able to escape the limited, materialistic, rationalistic world in which he had grown up, aided perhaps by Reepicheep’s stories about “emperors, kings, dukes, knights, poets, [and] lovers” who had fallen into distressing circumstances and recovered. Moral imagination comes to play an important role in Eustace’s life, and as readers respond to Eustace first with antipathy and then sympathy, they too can experience moral imagination at work in their own lives.

(Source unknown)

Dragon Hunt

Smaug the Golden

“One of the greatest Dragons of Middle-Earth during the Third Age, a royal beast of great lineage and cunning whose first recorded appearance in the Annals of the Age was in the year 2770, when he came flaming out of the North to capture, sack and occupy the Dwarf-kingdom of Erebor east of Mirkwood. The attack was so successful that most of the Dwarves unfortunate enough to be caught inside the Lonely Mountain on that day were exterminated - and for good measure Smaug aslo destroyed the nearby Mannish town of Dale. After completing these labours, the Dragon crawled inside the Mountain and there gathered all the wealth of both Erebor and Dale into one vast heap, upon which he lay in contented slumber for nearly two full centuries.”

(The Tolkien Companion ~ J.E.A. Tyler)

Lewis on Williams

I was looking up mentions of Williams in Lewis' letters, and came across one which was amusing, and another which is very insightful, I think. The amusing one was telling his brother Warnie about an evening he spent with Tolkien, Wrenn, and Williams. He says, Wrenn almost seriously expressed a strong wish to burn Williams, or at least maintained that conversation with Williams enabled him to understand how inquisitors had felt it right to burn people. Tolkien and I agreed afterwards that we just knew what he meant: that as some people at school..... are eminently kickable, so Williams is eminently combustible. "

The other, 4 months later in 1940, commented on a lecture CW had given, I think at Oxford, on chastity. In the middle of a fascinating paragraph describing CW's lecture, Lewis said, "I have at last, if only for once, seen a university doing what it was founded to do: teaching Wisdom." I realised that this does sum up for me the kernel of Williams' writings: wisdom. That must be why they are so lapped up by those who do try them; the difficulties of understanding are worth overcoming, if one can just get to the nub and taste that wonderful wisdom, the wisdom from above, "from the Father of lights".

Would others agree with me that this may be the secret of CW's writings?

Carolyn Janson

Echoes

When we are praying about the result, say, of a battle or a medical consultation the thought will often cross our minds that (if only we knew it) the event is already decided one way or the other. I believe this to be no good reason for ceasing our prayers. The event certainly has been decided--in a sense it was decided 'before all worlds'. But one of the things taken into account in deciding it, and therefore one of the things that really cause it to happen, may be this very prayer that we are now offering. Thus, shocking as it may sound, I conclude that we can at noon become part causes of an event occurring at ten a.m. (Some scientists would find this easier than popular thought does.) The imagination will, no doubt, try to play all sort of tricks on us at this point. It will ask, 'Then if I stop praying can God go back and alter what has already happened?' No. The event has already happened and one of its causes has been the fact that you are asking such questions instead of praying. It will ask, 'Then if I begin to pray can God go back and alter what has already happened?' No. The event has already happened and one of its causes is your present prayer. Thus something does really depend on my choice. My free act contributes to the cosmic shape. That contribution is made in eternity 'before all worlds'; but my consciousness of contributing reaches me at a particular point in the time series.
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C.S. Lewis, Miracles, Appendix B (1947)

Of Rowan and Charles Williams

Where Rowan Williams meets Dostoevsky (excerpt)

Rowan Williams divides us, even those who are not church hobbyists with an obsession (pro or anti) with gay bishops.

Some, such as myself, rejoice that at the heart of public life, we at last have a person who reads books, who takes the life of the mind seriously, while being so patently a good egg. Others are less sure. Even his fans agree that his utterances can be impenetrably obscure. This must be a drawback in a public figure.

The anti-Rowanites include, paradoxically, both atheist intellectuals, who dislike so clever a man for appearing to side with the most conservative Christians, and those Christians themselves, who suspect that behind the complex rhetoric there lurks a crypto-unbeliever.

"He's someone who's chaotic, sometimes pretentious, sometimes waffly, sometimes unbearably clotted, and yet in the middle of it, there are so many gems."

Who is speaking? Why, it is Rowan Williams himself, speaking of his near-namesake, but no relation, Charles Williams - an obscure taste nowadays, but a strong one.

Charles Williams worked as a publisher all his life. When Auden, still an agnostic, met him, to discuss the Oxford Book of Light Verse, he felt himself in the presence of something like holiness, and began his journey back to faith. Charles Williams wrote long Arthurian poems, and a series of supernatural thrillers, including one which culminates in a Eucharist celebrated by the Archbishop of Canterbury.

"Ah! The great Mass in Lambeth Palace!" exclaims the Archbishop, clapping his hands in delight, and smiling beneath the huge bushy eyebrows. He does not on this occasion speak - though he has written about them - of Charles Williams's peculiar mingling of piety and concupiscence, and Dantean crushes - sometimes out of control - on office secretaries at the Oxford University Press.

Like the subject of the Archbishop's latest book, Fyodor Dostoevsky, Charles Williams was not an entirely savoury character. Were the Archbishop to present either Williams (chainsmoking lover of women and member of the Order of the Golden Dawn) or Dostoevsky (gambler, political prisoner, anti-Semite) to colleagues on the General Synod, there would probably be some prim intakes of breath.

I thought of these things, as I was led into the presence of the bardic Archbishop at Lambeth, and remembered the spluttered outburst of disapproval that I heard last year from a senior layman.

"He's supposed to be the Archbishop of Canterbury! The Church of England is collapsing around his ears! And where is he? In America for two months! Writing a book about Dostoevsky!" The speaker's tone suggested that it was bad enough for the Archbishop to be taking any time off, but to be writing about a novelist who did not even have the decency to be English - well, that really took the biscuit.

Yet the Church of England has not collapsed - not quite, anyway. And the result of the Archbishop's sabbatical in the United States is a splendid book on the wild, strange genius of Dostoevsky.

A N Wilson discovers why, amid turmoil in the church, the Archbishop of Canterbury has written a book about one of his literary passions: Dostoevsky

Daily Telegraph – 27th September 2008 (Introduction)

Evelyn Underhill

In the same way she was devoted to flowers and birds, as to all living creatures, and had a keen interest in archaeology. She and her husband often arranged their holidays with these concerns in view. Thus they went in one year to Monte Generoso for the sake of the Alpine flowers, and in other years to Drummond Castle and Malham Tarn for the sake of the English. She had a passion for mountains, though she saw a certain irrationality in her ardour - "they are only heaps of earth." But if the Omnipotence deigned so to create, why not adore the Omnipotence and (in another kind) the creation? So, and not otherwise, the single operation proceeded in her.

In 1921 she gave the Upton Lectures on Religion at Manchester College, Oxford; they were afterwards published as The Life of the Spirit and the Life of To-day. She was also a member of Copec and made a contribution to one of its published reports. She was now generally recognized not only as a "great Christian writer" but as a person capable of communicating spiritual initiative and power.

From the Introduction to:~
The Letters of Evelyn Underhill (1943) -
Edited with an Introduction by Charles Williams

Sybil

Sybil Coningsby stepped out into the storm and tried to see before her. It was becoming very difficult, and the force of the wind for the moment staggered and even distressed her. She yielded to it a little both in body and mind; she knew well that to the oppositions of the world she could in herself offer no certain opposition. As her body swayed and let itself move aside under the blast, she surrendered herself to the only certain thing that her life had discovered: she adored in this movement also the extreme benevolence of Love. She sank before the wind, but not in impotence; rather as the devotee sinks before the outer manifestations of the God that he may be made more wholly one with that which manifests. Delaying as if both she and it might enjoy the exquisite promise of its arrival, it nevertheless promised, and, as always, came. She recovered her balance, swaying easily to each moment's need, and the serene content which it bestowed filled again and satisfied her.

It satisfied, but for no more than the briefest second did she allow herself to remain aware of that. Time to be aware, and to be grateful for that awareness, she enjoyed; literally enjoyed, for both knowledge and thankfulness grew one, and joy was their union, but that union darted out towards a new subject and centre. Darted out and turned in; its occupation was Lothair Coningsby, and Lothair was already within it. It did not choose a new resting-place, but rather ordered its own content, by no greater a movement than the shifting of the accent from one syllable back to the other. So slight a variation as gives the word to any speaker a new meaning gave to this pure satisfaction a new concern. She was intensely aware of her brother; she drew up the knowledge of him from within her, and gave it back within her. In wave after wave the ocean of peace changed its "multitudinous laughter" from one myriad grouping to another. And all, being so, was so.

Charles Williams - The Greater Trumps (1932) - Ch.9 : Sybil

An Inklings Meeting

[Magdalen College, Oxford]

Tolkien and Lewis formed the spine of the Inklings, regularly convening to read and discuss one another’s work in Lewis’s rooms at Magdalen College. There were nineteen members in all.

Tempers must surely have become frayed at times – as Tolkien became unyieldingly critical of Lewis’s Chronicles of Narnia (“about as bad as can be”) or as the English don Hugo Dyson met the latest bulletin from Middle Earth by (according to Tolkien’s son Christopher) “lying on the couch, and lolling and shouting and saying, ‘Oh God, no more Elves’”.
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Inkling James Dundas-Grant recalls a typical scene: “we sat in a small back room with a fine coal fire in winter . . . . back and forth the conversation would flow. Latin tags flying around. Homer quoted in the original to make a point . . . . Tolkien jumping up and down, declaiming in Anglo-Saxon.”
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John Wain, a former pupil of Lewis’s and an occasional Inkling himself, wrote a hostile account of the group in 1962, stating that they were “politically conservative, not to say reactionary; in religion . . . in art, frankly hostile to any manifestation of the ‘modern’ spirit”. The surviving Inklings were outraged, but some of Wain’s criticisms seem difficult to repudiate. Here, for example, is Lewis lampooning T. S. Eliot:

For twenty years I’ve stared my level best
To see if evening – any evening – would suggest
A patient etherised upon a table;
In vain. I simply wasn’t able.

(Jon Barnes)

An Historical Falsehood

In popular thought, however, the origin of the universe has counted (I think) for less than its character - its immense size and its apparent indifference, if not hostility, to human life. And very often this impresses people all the more because it is supposed to be a modern discovery - an excellent example of those things which our ancestors did not know and which, if they had known them, would have prevented the very beginnings of Christianity.
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Here there is a simple historical falsehood. Ptolemy knew just as well as Eddington that the earth was infinitesimal in comparison with the whole content of space. There is no question here of knowledge having grown until the frame of archaic thought is no longer able to contain it. The real question is why the spatial insignificance of the Earth, after being known for centuries, should suddenly in the last century have become an argument against Christianity. I do not know why this has happened; but I am sure it does not mark an increased clarity of thought, for the argument from size is in my opinion, very feeble.

C.S. Lewis, God in the Dock, "Dogma and the Universe" (1970)
If the Moral Law was one of our instincts, we ought to be able to point to some one impulse inside us which was always what we call 'good,' always in agreement with the rule of right behaviour. But you cannot. There is none of our impulses which the Moral Law may not sometimes tell us to suppress, and none which it may not sometimes tell us to encourage. It is a mistake to think that some of our impulses--say mother love or patriotism--are good, and others, like sex or the fighting instinct, are bad. All we mean is that the occasions on which the fighting instinct or the sexual desire need to be restrained are rather more frequent than those for restraining mother love or patriotism. But there are situations in which it is the duty of a married man to encourage his sexual impulse and of a soldier to encourage the fighting instinct. There are also occasions on which a mother's love for her own children or a man's love for his own country have to be suppressed or they will lead to unfairness towards other people's children or countries.
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Strictly speaking, there are no such things as good and bad impulses. Think once again of a piano. It has not got two kinds of notes on it, the 'right' notes and the 'wrong' ones. Every single note is right at one time and wrong at another. The Moral Law is not any one instinct or set of instincts: it is something which makes a kind of tune (the tune we call goodness or right conduct) by directing the instincts.

C.S. Lewis, Mere Christianity, Chapter 2 (1952)

Inside 'Songs for Philologists'

There were 30 songs in the collection, J.R.R.Tolkien contributed 13:

'From One to Five'. To be sung to the tune of ‘Three Wise Men of Gotham’.

'Syx Mynet'. In Old English, to be sung to the tune of 'I Love Sixpence'.

'Ruddoc Hana'. In Old English, to be sung to the tune of 'Who Killed Cock Robin'.

'Ides Ælfscýne'. In Old English, to be sung to the tune of ‘Daddy Neptune’. Reprinted, together with a Modern English translation ('Elf-fair Lady') in The Road to Middle-earth.

'Bagm? Blom?'. In Gothic, to be sung to the tune of ‘O Lazy Sheep!’ Reprinted, together with a Modern English translation ('Flower of the Trees') in The Road to Middle-earth.

'Éadig Béo þu!'. In Old English, to be sung to the tune of ‘Twinkle, Twinkle, Little Star’. Reprinted, together with a Modern English translation ('Good Luck to You') in The Road to Middle-earth.

'Ofer Wídne Gársecg'. In Old English, to be sung to the tune of ‘The Mermaid’. Reprinted, together with a Modern English translation ('Across the Broad Ocean') in The Road to Middle-earth.

'La Húru'. To be sung to the tune of ‘O’ Reilly’.

'I Sat upon a Bench'. To be sung to the tune of ‘The Carrion Crow’.

'Natura Apis: Morali Ricardi Eremite'.
Also to be sung to the tune of ‘O’Reilly’.

'The Root of the Boot'. To be sung to the tune of ‘The Fox Went Out’. Reprinted in Anderson’s Annotated Hobbit, and in a revised form in The Return of the Shadow.
Also reprinted in The Tolkien Papers: Mankato Studies in English. Later revised and printed in The Lord of the Rings and The Adventures of Tom Bombadil as 'The Stone Troll'.

'Frenchmen Froth'.
To be sung to the tune of ‘The Vicar of Bray’.

'Lit' and Lang''. To be sung to the tune of ‘Polly Put the Kettle On’.

The above information is a summary of that given in Hammond’s Descriptive Bibliography (Pages 293 & 294).

Songs for the philologists is privately printed in the Department of English at University College, London, in 1936. It is the first and only edition, 8vo (214mm.), pp. iv, 30, [2]; orig. printed pale blue wrappers, saddle-stitched; with staples. The text is in both English and Anglo-Saxon and is printed in both Roman and Anglo-Saxon types. On the verso of the title: "Printed by G. Tillotson, A.H. Smith, B. Pattison and other members of the English Department,

Songs for Philologists

When asking a Tolkien collector which book is the most precious book in his collection, it will probably be a perfect first edition of the Lord of the Rings, a signed book, like a Silmarillion signed by Christopher Tolkien, or a nice reading copy of an old the Hobbit (like I treasure one, just because it was the one all started with). Yet when asked what would be the most rare Tolkien book out there, the answer would probably be "The Songs for the Philologists".

In Leeds J.R.R.Tolkien and E.V.Gordon founded a a "Viking Club" for undergraduates devoted mainly to reading Old Norse sagas and drinking beer. It was for this club that Tolkien and Gordon originally wrote their Songs for the Philologists, a set of duplicated typescripts, containing a mixture of traditional songs and original verses translated into Old English, Old Norse and Gothic to fit traditional English tunes.

In 1935 or 1936 Dr A.H. Smith of University College London, former student at Leeds, gave a copy of one of the typescripts to a group of students to print at their private press as a printing exercise. There for we can assume there were not many copies printed originally. He later realized that he had not asked for permission from Tolkien or Gordon, so the completed booklets were not distributed. Most of the copies were destroyed in a fire at the college where the press and copies of the book were stored, but evidently some copies survived, perhaps retained by the students who printed them. The number that survive is not known, but is very small, perhaps as few as 14.

The Doctrine of Substituted Love

It spoke of sights and sounds, touches and thrills, and of entire oblivion of harm; nothing was to be that she did not will, and everything that she willed, to the utmost fullness of her heart, should be. She would be enough for herself. She could dream for ever, and her dream should for ever be made real. "Come soon," it said, "come now. I'll wait for you here. In a few minutes you'll be free, and then you'll come; you shall be back soon. Give me your hand and I'll give you a foretaste now." A hand came into hers, a pulse against her wrist beat with significance of breathless abandonment to delirious joy. She delayed in a tremulous and pleasurable longing.

"But how?" she murmured, "how can all this happen? how do I know what I want? I've never thought ... I don't know anyone . . . and to be alone. . . ."

"Give me your hand," the other said, "then come and dream, till you discover, so soon, the ripeness of your dream." She paused, and added, "You'll never have to do anything for others any more."

It was the last touch, and false, false because of the habit of her past and because of Stanhope's promise. The fountain of beauty had sprung upward in a last thrust; it broke against the arched roof of his world, and the shock stung her into coldness. Never have to do anything--and she had been promising herself that she would carry someone's parcel as hers had been carried, that she would be what he said she could. Like it or not, it had been an oath; rash or wise it stood.

Charles Williams “Descent into Hell”
Ch. 6 - The Doctrine of Substituted Love

Lewis on Continual Assessment by Examination

[Examination Schools in Oxford - 'Schools' as they are known to generation of students]

Lewis writes to Dr. Warfield Firor about grading Scholarship Examinations at the end of the term:
...But there is something about this endless examining, quite apart from the labour, which bothers me. It sets me wondering about the whole system under which you, as well as we, now live. Behind all these closely written sheets which I have to read every year, even behind the worst of them, lie hours of hard, long work. Even the bad candidates are doing their best and have been trained up to this ever since they went to school. And naturally enough: for in the Democracies now, as formerly in China under the mandarin system, success in competitive examinations is the only moyen de parvenir*, the road from elementary school to the better schools, and thence to college, and thence to the professions. (You still have a flourishing alternative route to desirable jobs through business which is largely disappearing with us: but it is at least equally competitive).
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This of course is what Democratic education means -- give them all an equal start and let the winners show their form. Hence Equality of Opportunity in practice means ruthless competition during those very years which, I can't help feeling, nature meant to be free and frolicsome. Can it be good, from the age of 10 to the age of 23, to be always preparing for an exam, and always knowing that your whole worldly future depends on it: and not only knowing it, but perpetually reminded of it by your parents and masters? Is this the way to breed a nation of people in psychological, moral, and spiritual health? (N.B. boys are now taught to regard Ambition as a virtue. I think we shall find that up to the XVIIIth Century, and back into Pagan times, all moralists regarded it as a vice and dealt with it accordingly).
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* moyen de parvenir = "way to arrive"
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C.S. Lewis, Letter to Warfield M. Firor Dec 3 1950, The Collected Letters of C.S. Lewis: Volume III (2007)