A brief extract from a poem "The fall of Gil-galad" -- sung Sam Gamgee to the company on Weathertop before the attack of the Nazgûl.

Gil-galad was an Elven-king.
Of him the harpers sadly sing:
the last whose realm was fair and free
between the Mountains and the Sea.

His sword was long, his lance was keen,
his shining helm afar was seen;
the countless stars of heaven's field
were mirrored in his silver shield.

But long ago he rode away,
and where he dwelleth none can say;
for into darkness fell his star
in Mordor where the shadows are.

"That's all I know," stammered Sam, blushing.
"I learned it from Mr. Bilbo when I was a lad."

The true end of Humility

You must therefore conceal from the patient the true end of Humility. Let him think of it not as self-forgetfulness but as a certain kind of opinion (namely, a low opinion) of his own talents and character. Some talents, I gather, he really has. Fix in his mind the idea that humility consists in trying to believe those talents to be less valuable than he believes them to be . No doubt they are in fact less valuable than he believes, but that is not the point. The great thing is to make him value an opinion for some quality other than truth, thus introducing an element of dishonesty and make-believe into the heart of what otherwise threatens to become a virtue. By this method thousands of humans have been brought to think that humility means pretty women trying to believe they are ugly and clever men trying to believe they are fools. And since what they are trying to believe may, in some cases, be manifest nonsense, they cannot succeed in believing it and we have the chance of keeping their minds endlessly revolving on themselves in an effort to achieve the impossible.

C. S. Lewis, The Screwtape Letters (1942)

Excerpt from: "Spirits in Bondage: A Cycle of Lyrics" by Clive Hamilton [C.S. Lewis]

Published under the pseudonym, Clive Hamilton, Spirits in Bondage was C. S. Lewis' first book. Most of the poems appear to have been written between1915 and 1918, (he would have been between 17 and 20 years old) a period during which Lewis was a student under W. T. Kirkpatrick, a military trainee at Oxford, and a soldier serving in the trenches of World War I. This was a time when Lewis struggled with the difficult issues presented by The Great War, and also his growing cynicism about the existence of God.

Come let us curse our Master ere we die,
For all our hopes in endless ruin lie.
The good is dead. Let us curse God most High.

Four thousand years of toil and hope and thought
Wherein man laboured upward and still wrought
New worlds and better, Thou hast made as naught.

We built us joyful cities, strong and fair,
Knowledge we sought and gathered wisdom rare.
And all this time you laughed upon our care,

And suddenly the earth grew black with wrong,
Our hope was crushed and silenced was our song,
The heaven grew loud with weeping. Thou art strong.

(Second part of the extract later in the week)

Good Friday

[Easter Springtide : Vitali Linitsky]

"For whatever reason God chose to make man as he is - limited and suffering and subject to sorrows and death -- he had the honesty and courage to take his own medicine. Whatever game he is playing with his creation, he has kept his own rules and played fair. He can exact nothing from man that he has not exacted from himself. He has himself gone through the whole human experience, from the trivial irritations of family life and the cramping restrictions of hard work and lack of money to the worst horrors of pain and humiliation, defeat, despair, and death. When he was a man, he played the man. He was born in poverty and died in disgrace and thought it well worthwhile."

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"The Man born to be King" - Dorothy L. Sayers

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Like her friends C.S. Lewis, T.S. Eliot, and Charles Williams, Sayers was a brilliant Christian thinker... who took doctrine seriously and bristled at the growth of "fads, schisms, heresies, and anti-Christ" within the Church of England. Just how satisfying Christianity was for her became clear in 1938 when she wrote a Sunday editorial for the Times: "The Christian faith is the most exciting drama that ever staggered the imagination of man... and the dogma is the drama."

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"The man born to be King" a radio drama in six parts first broadcast in 1943 was instigated as a direct result of encouragement from Jack Lewis.

Forward to "Essays presented to Charles Williams"

"In this book the reader is offered the work of one professional author, two dons, a solicitor, a friar, and a retired army officer; if he feels disposed to complain of hotchpotch (which incidentally is an excellent dish; consult the NOCTES AMBROSIANAE) I must reply that the variety displayed by this little group is far too small to represent the width of Charles William's friendships. Nor are we claiming to represent it. Voices from many parts of England -- voices of people often very different from ourselves -- would justly rebuke our presumption if we did. We know that he was as much theirs as ours: not only, nor even chiefly, because of his range and versatility, great though these were, but because, in every circle that he entered, he gave the whole man. I had almost said that he was at everyone's disposal, but those words would imply a passivity on his part, and all who knew him would find the implication ludicrous. You might as well say that an Atlantic breaker on a Cornish beach is 'at the disposal' of all whom it sweeps off their feet.

If the authors of this book were to put forward any claim, it would be, and that shyly, that they were for the last few years of his life a fairly permanent nucleus among his literary friends. He read us his manuscripts and we read him ours: we smoked, talked, argued, and drank together (I must confess that with Miss Dorothy Sayers I have seen him drink only tea: but that was neither his fault nor hers). "Of many such talks this collection is not unrepresentative."

C.S. Lewis

The Geste of Beren and Lúthien

Lines 3478 to 3537 tell of Beren and Lúthien’s arrival, in enchanted form as a werewolf and bat, accompanied by Huan at the very gates of Angband.

Ashes and dust and thirsty dune
withered and dry beneath the moon,
under the cold and shifting air
sifting and sighing, bleak and bare;
of blistered stones and gasping sand,
of splintered bones was built that land,
o'er which now slinks with powdered fell
and hanging tongue a shape of hell
Many parching leagues lay still before
when sickly day crept back once more;
many choking miles yet stretched ahead
when shivering night once more was spread
with doubtful shadow and ghostly sound
that hissed and passed o'er dune and mound.
A second morning in cloud and reek
struggled, when stumbling, blind and weak;
a wolvish shape came staggering forth
and reached the foothills of the North;
upon its back there folded lay
a crumpled thing that blinked at day.
The rocks were reared like bony teeth,
and claws that grasped from opened sheath,
on either side the mournful road
that onward led to that abode
far up within the Mountain dark
with tunnels drear and portals stark.
They crept within a scowling shade,
and cowering darkly down them laid
Long lurked they there beside the path,
and shivered, dreaming of Doriath,
of laughter and music and clean air,
in fluttered leaves birds singing fair.
They woke, and felt the trembling sound,
the beating echo far underground
shake beneath them, the rumour vast
of Morgoth's forges; and aghast
they heard the tramp of stony feet
that shod with iron went down that street:
the Orcs went forth to rape and war,
and Balrog captains marched before.

They stirred, and under cloud and shade
at eve stepped forth, and no more stayed;
as dark things on dark errand bent
up the long slopes in haste they went.
Ever the sheer cliffs rose beside,
where birds of carrion sat and cried;
and chasms black and smoking yawned,
whence writhing serpent-shapes were spawned;
until at last in that huge gloom,
heavy as overhanging doom,
that weighs on Thangorodrim's foot
like thunder at the mountain's root,
they came, as to a sombre court
walled with great towers, fort on fort
of cliffs embattled, to that last plain
that opens, abysmal and inane,
before the final topless wall
of Bauglir's immeasurable hall,
whereunder looming awful waits
the gigantic shadow of his gates.

The Geste of Beren and Lúthien

Lines 2510 to 2565 tell of Lúthien and the hound of Nargothrond (the hound of Valinor), Huan, who is to play a major part in the unfolding tale.

At Lúthien's feet there day by day
and at night beside her couch would stay
Huan the hound of Nargothrond;
and words she spoke to him soft and fond:
'O Huan, Huan, swiftest hound
that ever ran on mortal ground,
what evil doth thy lords possess
to heed no tears nor my distress?
One Barahir all men above
good hounds did cherish and did love;
one Beren in the friendless North,
when outlaw wild he wandered forth,
had friends unfailing among things
with fur and fell and feathered wings,
and among the spirits that in stone
in mountains old and wastes alone
still dwell. But now nor Elf nor Man,
none save the child of Melian,
remembers him who Morgoth fought
and never to thraldom base was brought.'

Nought said Huan; but Curufin
therafter never near might win
to Lúthien, nor touch that maid,
but shrank from Huan's fangs afraid.
Then on a night when autumn damp
was swathed about the glimmering lamp
of the wan moon, and fitful stars
were flying seen between the bars
of racing cloud, when winter's horn
already wound in trees forlorn,
lo! Huan was gone. Then Lúthien lay
fearing new wrong, till just ere day,
when all is dead and breathless still
and shapeless fears the sleepless fill,
a shadow came along the wall.
Then something let there softly fall
her magic cloak beside her couch.
Trembling she saw the great hound crouch
beside her, heard a deep voice swell
as from a tower a far slow bell.

Thus Huan spake, who never before
had uttered words, but twice more
did speak in elven tongue again:
'Lady beloved, whom all Men,
whom elfinesse, and whom all things
with fur and fell and feathered wings
should serve and love--arise! away!
Put on thy cloak! Before the day
comes over Nargothrond we fly
to Northern perils, thou and I.'
And ere he ceased he counsel wrought
for achievement of the thing they sought.
There Lúthien listened in amaze,
and softly on Huan did she gaze.
Her arms about his neck she cast—
in friendship that to death should last.

The Geste of Beren and Lúthien

Lines 2064 to 2110 tell of Thû, or as he was known in ‘The Lord of the Rings’, Sauron. In the Geste, Sauron is a servant of Morgoth, dwelling in his tower on the Wizard’s Isle on the borders of the North where Morgoth dwelt in Angband.

Men called him Thû, and as a god
in after days beneath his rod
bewildered bowed to him, and made
his ghastly temples in the shade.
Not yet by Men enthralled adored,
now was he Morgoth's mightiest lord,
Master of Wolves, whose shivering howl
for ever echoed in the hills, and foul
enchantments and dark sigaldry
did weave and wield. In glamoury
that necromancer held his hosts
of phantoms and of wandering ghosts,
of misbegotten or spell-wronged
monsters that about him thronged,
working his bidding dark and vile:
the werewolves of the Wizard's Isle.
From Thû their coming was not hid;
and though beneath the eaves they slid
of the forest's gloomy-hanging boughs,
he saw them afar, and wolves did rouse:
'Go! fetch me those sneaking Orcs,' he said,
'that fare thus strangely, as if in dread,
and do not come, as all Orcs use
and are commanded, to bring me news
of all their deeds, to me, to Thû.'

From his tower he gazed, and in him grew
suspicion and a brooding thought,
waiting, leering, till they were brought.
Now ringed about with wolves they stand,
and fear their doom. Alas! the land,
the land of Narog left behind!
Foreboding evil weights their mind,
as downcast, halting, they must go
and cross the stony bridge of woe
to Wizard's Isle, and to the throne
there fashioned of blood-darkened stone.
'Where have ye been? What have ye seen?'
'In Elfinesse; and tears and distress,
the fire blowing and the blood flowing,
these have we seen, there have we been.
Thirty we slew and their bodies threw
in a dark pit. The ravens sit
and the owl cries where our swath lies.'
'Come, tell me true, O Morgoth's thralls,
what then in Elfinesse befalls?
What of Nargothrond? Who reigneth there?
Into that realm did your feet dare?’

The Geste of Beren and Lúthien

Of Lúthien's escape from Doriath, where Thingol had imprisoned her for her own safety, on a rope made from her own hair. (Lines 1,502 to 1,583)

Then did she lave her head and sing
a theme of sleep and slumbering,
profound and fathomless and dark
as Lúthien's shadowy hair was dark--
each thread was more slender and more fine
than threads of twilight that entwine
in filmy web the fading grass
and closing flowers as day doth pass.
Now long and longer grew her hair,
and fell to her feet, and wandered there
like pools of shadow on the ground.
Then Lúthien in a slumber drowned
was laid upon her bed and slept,
till morning through the windows crept
thinly and faint. And then she woke,
and the room was filled as with a smoke
and with an evening mist, and deep
she lay thereunder drowsed in sleep.
Behold! her hair from windows blew
in morning airs, and darkly grew
waving about the pillars grey
of Hirilorn at break of day.
then groping she found her little shears,
and cut the hair about her ears,
and close she cropped it to her head,
enchanted tresses, thread by thread.
Thereafter grew they slow once more,
yet darker than their wont before.

And now was her labour but begun:
long was she spinning, long she spun;
and though with elvish skill she wrought,
long was her weaving. If men sought
to call her, crying from below,
'Nothing I need,' she answered, 'go!
I would keep my bed, and only sleep
I now desire, who waking weep.'
Then Dairon feared, and in amaze
he called from under; but three days
she answered not. Of cloudy hair
she wove a web like misty air
of moonless night, and thereof made
a robe as fluttering-dark as shade
beneath great trees, a magic dress
that all was drenched with drowsiness,
enchanted with a mightier spell
than Melian's raiment in that dell
wherein of yore did Thingol roam
beneath the dark and starry dome
that hung above the dawning world.
And now this robe she round her furled,
and veiled her garments shimmering white;
her mantle blue with jewels bright
like crystal stars, the lilies gold,
were wrapped and hid; and down there rolled
dim dreams and faint oblivious sleep
falling about her, to softly creep
through all the air. Then swift she takes
the threads unused; of these she makes
a slender rope of twisted strands
yet long and stout, and with her hands
she makes it fast unto the shaft
of Hirilorn. Now, all her craft
and labour ended, looks she forth
from her little window facing North.
Already the sunlight in the trees
is drooping red, and dusk she sees
come softly along the ground below,
and now she murmurs soft and slow.
Now chanting clearer down she cast
her long hair, till it reached at last
from her window to the darkling ground.
Men far beneath her heard the sound;
but the slumbrous strand now swung and swayed
above her guards. their talking stayed,
they listened to her voice and fell
suddenly beneath a binding spell.
Now clad as in a cloud she hung;
now down her ropéd hair she swung
as light as squirrel, and away,
away, she danced, and who could say
what paths she took, whose elvish feet
no impress made a-dancing fleet?