Thursday, November 05, 2009

The birth of Elanor the Fair

......"Time went on, and 1421 came in. Frodo was ill again in March, but with a great effort he concealed it, for Sam had other things to think about. The first of Sam and Rosie's children was born on the twenty-fifth of March, a date that Sam noted.

......'Well, Mr. Frodo,' he said. 'I'm in a bit of a fix. Rose and me had settled to call him Frodo, with your leave; but it's not him, it's her. Though as pretty a maidchild as any one could hope for, taking after Rose more than me, luckily. So we don't know what to do.'

......'Well, Sam,' said Frodo, 'what's wrong with the old customs? Choose a flower name like Rose. Half the maidchildren in the Shire are called by such names, and what could be better?'

......'I suppose you're right, Mr. Frodo,' said Sam. 'I've heard some beautiful names on my travels, but I suppose they're a bit too grand for daily wear and tear, as you might say. The Gaffer, he says: "Make it short, and then you won't have to cut it short before you can use it." But if it's to be a flower-name, then I don't trouble about the length: it must be a beautiful flower, because, you see, I think she is very beautiful, and is going to be beautifuller still.'

......Frodo thought for a moment. 'Well, Sam, what about elanor, the sun-star, you remember the little golden flower in the grass of Lothlórien?'

......'You're right again, Mr. Frodo!' said Sam delighted. 'That's what I wanted.'

(from the appendices - LOTR)
J.R.R. Tolkien

Friday, October 30, 2009

20th May 1916 (II)

With the town which you espied,
Where it yet on earth shall be,
Built about you on each side,
The Republic's liberty ;

As you saw her, rising far
To the great design of man.
As you heard her to her war
Call by ban and arrière-ban ;

As your pledges you redeemed,
Serious and gay unthrift,
To the politic you schemed :
All magnificent in gift !

Only once, if aught awake
Still in you of death or pain,
For our loving's ancient sake,
O remember me again !

O courageous, new in power,
Heavened afar from earth and me,
In my own departing hour
Knit again our federacy ! 

Tuesday, October 27, 2009

May 20th 1915 (I)

Beating heart and climbing brain,
Roaming foot and searching tongue,
Get no more of loss or gain,
For the soul hath gone along.

Now of all fine things on earth,
Tales and tastes and towns to see.
Less of wealth hath less of worth
For our double poverty.

In a beggared lane we go.
Palsied of the better hand ;
Purposes none else can show
Are for ever hidden land.

O the songs we shall not sing !
O the deeds we shall not do !
O the robbed hours that shall bring
In your thought's place thought of you !

Now the past is robbed also ;
You, being gone from us and all.
With the ghostly years shall grow
Fainter and phantasmical.

And of us inconstant, you
Shall have like inconstant mind,
In so many ventures new
Slipping us you leave behind.
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Charles Williams - Poems of Conformity (1915)

Friday, October 23, 2009

The New Life

She was standing on Westminster Bridge. It was twilight, but the City was no longer dark. The street lamps along the Embankment were still dimmed, but in the buildings shutters and blinds and curtains had been removed or left undrawn, and the lights were coming out there like the first faint stars above. Those lights were the peace. It was true that formal peace was not yet in being; all that had happened was that fighting had ceased. The enemy, as enemy, no longer existed, and one more crisis of agony was done. Labour, intelligence, patience-much need for these; and much certainty of boredom and suffering and misery, but no longer the sick vigils and daily despair.

Lester Furnival stood and. looked at the City while the twilight deepened. The devastated areas were hidden; much was to be done but could be. In the distance she could hear an occasional plane. Its sound gave her a greater sense of relief than the silence. It was precisely not dangerous; it promised a truer safety than all the squadrons of fighters and bombers had held. Something was ended, and those remote engines told her so. The moon was not yet risen; the river was dark below. She put her hand on the parapet and looked at it; it should make no more bandages if she could help it. It was not a bad hand, though it was neither so clean nor so smooth as it had been years ago, before the war. It was twenty-five now, and to her that seemed a great age. She went on looking at it for a long while; in the silence and the peace, until it occurred to her that the silence was very prolonged, except for that recurrent solitary plane. No one, all the time she had been standing there, had crossed the bridge; no voice, no step, no car had sounded in the deepening night.

She took her hand off the wall, and turned. The bridge was as empty as the river; no vehicles or pedestrians here, no craft there. In all that City she might have been the only living thing. She had been so impressed by the sense of security and peace while she had been looking down at the river that only now did she begin to try and remember why she was there on the bridge. There was a confused sense in her mind that she was on her way somewhere; she was either going to or coming from her own flat. It might have been to meet Richard, though she had an idea that Richard, or someone with Richard, had told her not to come. But she could not think of anyone, except Richard, who was at all likely to do so, and anyhow she knew she had been determined to come. It was all mixed up with that crash which had put everything out of her head; and as she lifted her eyes, she saw beyond the Houses and the Abbey the cause of the crash, the plane lying half in the river and half on the Embankment. She looked at it with a sense of its importance to her, but she could not tell why it should seem so important. Her only immediate concern with it seemed to be that it might have blocked the direct road home to her flat, which lay beyond Millbank and was where Richard was or would be and her own chief affairs. She thought of it with pleasure; it was reasonably new and fresh, and they had been lucky to get it when Richard and she had been married yesterday. At least-yesterday? well, not yesterday but not very much longer than yesterday, only the other day. It had been the other day. The word for a moment worried her; it had been indeed another, a separate, day. She felt as if she had almost lost her memory of it, yet she knew she had not. She had been married, and to Richard.

The plane, in the thickening darkness, was now but a thicker darkness, and distinguishable only because her eyes were still fixed on it. If she moved she would lose it. If she lost it, she would be left in the midst of this-this lull. She knew the sudden London lulls well enough, but this lull was lasting absurdly long. All the lulls she had ever known were not as deep as this, in which there seemed no movement at all, if the gentle agitation of the now visible stars were less than movement, or the steady flow of the river beneath her; she had at least seen that flowing-or had she? was that also still? She was alone with this night in the City-a night of peace and lights and stars, and of bridges and streets she knew, but all in a silence she did not know, so that if she yielded to the silence she would not know those other things, and the whole place would be different and dreadful.

She stood up from the parapet against which she had been leaning, and shook herself impatiently. "I'm moithering," she said in a word she had picked up from a Red Cross companion, and took a step forward. If she could not get directly along Millbank, she must go round. Fortunately the City was at least partially lit now. The lights in the houses shone out, and by them she could see more clearly than in the bad old days. Also she could see into them; and somewhere in her there was a small desire to see someone-a woman reading, children playing, a man listening to the wireless; something of that humanity which must be near, but of which on that lonely bridge she could feel nothing. She turned her face towards Westminster and began to walk.
.
Chapter One
All Hallows Eve
Charles Williams

Thursday, October 15, 2009

The Moon of the Tarots

Nancy found herself alone. The mist round her was thinning; she could see a clear darkness beyond. She had known one pang when she felt Henry's hands slip from around hers; then she had concentrated her will more entirely on doing whatever might be done to save whatever had to be saved from the storm, which now she no longer heard. But the fantastic mission on which she was apparently moving did not weigh upon her; her heart kept its lightness. There had come into her life with the mystery of the Tarots a new sense of delighted amazement; the Tarots themselves were not more marvellous than the ordinary people she had so long unintelligently known. By the slightest vibration of the light in which she saw the world she saw it all differently; holy and beautiful, if sometimes perplexing and bewildering, went the figures of her knowledge. They were all "posters of the sea and land", and she too, in a dance that was happy if it was frightening. Nothing was certain, but everything was safe--that was part of the mystery of Love. She was upon a mission, but whether she succeeded or not didn't matter. Nothing mattered beyond the full moment in which she could live to her utmost in the power and according to the laws of the dance. The dance of the Tarots, the dance of her blood, the dance of her mind, and whatever other measure it was in which Sybil Coningsby trod so high and disposed a movement. Hers couldn't be that yet, couldn't ever perhaps, but she could understand and answer it. Her father, Henry, Ralph, they were all stepping their parts, and she also--now, now, as the last shreds of the golden mist faded, and, throbbing and glad, she came into the dark stillness which awaited her.

Chapter 14
The Greater Trumps (1932)
Charles Williams

Monday, October 12, 2009

Lewis on Taliessin

Dec. 15th 1945:
“... I am (these last 6 months) immersed in a v. different poet who I think great – Charles Williams: the two volumes of his Arthurian poems Taliessin and The Region of the Summer Stars. Inexcusably difficult, as I always told him, but here there really is something behind the difficulty – that something wh. we all need most in literature at present & wh. I wd. call opaque splendour – thick, rich, solid, heavy – porphyry, gold diamond.”

CS Lewis ~ Collected Letters
(Both may be obtained via Amazon)
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Taliesin [Taliessin]

Taliesin (c. 534 – c. 599) was a
British poet of the post-Roman period whose work has possibly survived in a Middle Welsh manuscript, the Book of Taliesin. Taliesin was a renowned bard who is believed to have sung at the courts of at least three Celtic British kings.

A maximum of eleven of the preserved poems have been dated to as early as the 6th century, and were ascribed to the historical Taliesin. The bulk of this work praises King
Urien of Rheged and his son Owain mab Urien, although several of the poems indicate that he also served as the court bard to King Brochfael Ysgithrog of Powys and his successor Cynan Garwyn, either before or during his time at Urien's court. Some of the events to which the poems refer, such as the Battle of Arfderydd (c. 583), are referred to in other sources.

His name, spelled as Taliessin in
Alfred, Lord Tennyson's Idylls of the King and in some subsequent works, means "shining brow" in Middle Welsh. In legend and medieval Welsh poetry, he is often referred to as Taliesin Ben Beirdd ("Taliesin, Chief of Bards" or chief of poets). He is mentioned as one of the five British poets of renown… in the Historia Brittonum, and is also mentioned in the collection of poems known as Y Gododdin. Taliesin was highly regarded in the mid-twelfth century as the supposed author of a great number of romantic legends.
.
Wikipedia

Thursday, October 08, 2009

Romantic Theology

Something must here be said to those who may ask ‘Who was Charles Williams?’ He had spent most of his life in the service of the Oxford University Press at Amen House, Warwick Square, London. He was a novelist, a poet, a dramatist, a biographer, a critic, and a theologian: a romantic theologian in the technical sense which he himself invented for those words. A romantic theologian does not mean one who is romantic about theology but one who is theological about romance, one who considers the theological implications of those experiences which are called romantic. The belief that the most serious and ecstatic experiences either of human love or of imaginative literature have such theological implications, and that they can be healthy and fruitful only if the implications are diligently thought out and severely lived, is the root principle of all his work. His relation to the modern literary current was thus thoroughly 'ambivalent'. He could be grouped with the counter-romantics in so far as he believed untheologized romanticism (like Plato's 'unexamined life') to be sterile and mythological. On the other hand, he could be treated as the head of the resistance against the moderns in so far as he believed the romanticism which they were rejecting as senile to be really immature, and looked for a coming of age where they were huddling up a hasty and not very generous funeral. He will not fit into a pigeon-hole.

The fullest and most brilliant expression of his outlook is to be found in his mature poetry, and especially in Taliessin through Logres and The Region of the Summer Stars. As I have in preparation a much longer study of these works, I must here content myself with saying that they seem to me, both for the soaring and gorgeous novelty of their technique and for their profound wisdom, to be among the two or three most valuable books of verse produced in the (20th) century.

C.S. Lewis ~ From the Preface to:
“Essays Presented to Charles Williams” (OUP 1947)