Death, on Westminster Bridge


She was standing on Westminster Bridge. It was twilight, but the City was no longer dark. The street lamps along the Embankment were still dimmed, but in the buildings shutters and blinds and curtains had been removed or left undrawn, and the lights were coming out there like the first faint stars above. Those lights were the peace. It was true that formal peace was not yet in being; all that had happened was that fighting had ceased. The enemy, as enemy, no longer existed, and one more crisis of agony was done. Labour, intelligence, patience-much need for these; and much certainty of boredom and suffering and misery, but no longer the sick vigils and daily despair.

Lester Furnival stood and. looked at the City while the twilight deepened. The devastated areas were hidden; much was to be done but could be. In the distance she could hear an occasional plane. Its sound gave her a greater sense of relief than the silence. It was precisely not dangerous; it promised a truer safety than all the squadrons of fighters and bombers had held. Something was ended, and those remote engines told her so. The moon was not yet risen; the river was dark below. She put her hand on the parapet and looked at it; it should make no more bandages if she could help it. It was not a bad hand, though it was neither so clean nor so smooth as it had been years ago, before the war. It was twenty-five now, and to her that seemed a great age. She went on looking at it for a long while; in the silence and the peace, until it occurred to her that the silence was very prolonged, except for that recurrent solitary plane. No one, all the time she had been standing there, had crossed the bridge; no voice, no step, no car had sounded in the deepening night.

She took her hand off the wall, and turned. The bridge was as empty as the river; no vehicles or pedestrians here, no craft there. In all that City she might have been the only living thing. She had been so impressed by the sense of security and peace while she had been looking down at the river that only now did she begin to try and remember why she was there on the bridge. There was a confused sense in her mind that she was on her way somewhere; she was either going to or coming from her own flat. It might have been to meet Richard, though she had an idea that Richard, or someone with Richard, had told her not to come. But she could not think of anyone, except Richard, who was at all likely to do so, and anyhow she knew she had been determined to come. It was all mixed up with that crash which had put everything out of her head; and as she lifted her eyes, she saw beyond the Houses and the Abbey the cause of the crash, the plane lying half in the river and half on the Embankment. She looked at it with a sense of its importance to her, but she could not tell why it should seem so important. Her only immediate concern with it seemed to be that it might have blocked the direct road home to her flat, which lay beyond Millbank and was where Richard was or would be and her own chief affairs. She thought of it with pleasure; it was reasonably new and fresh, and they had been lucky to get it when Richard and she had been married yesterday. At least-yesterday? well, not yesterday but not very much longer than yesterday, only the other day. It had been the other day. The word for a moment worried her; it had been indeed another, a separate, day. She felt as if she had almost lost her memory of it, yet she knew she had not. She had been married, and to Richard.

The plane, in the thickening darkness, was now but a thicker darkness, and distinguishable only because her eyes were still fixed on it. If she moved she would lose it. If she lost it, she would be left in the midst of this-this lull. She knew the sudden London lulls well enough, but this lull was lasting absurdly long. All the lulls she had ever known were not as deep as this, in which there seemed no movement at all, if the gentle agitation of the now visible stars were less than movement, or the steady flow of the river beneath her; she had at least seen that flowing-or had she? was that also still? She was alone with this night in the City-a night of peace and lights and stars, and of bridges and streets she knew, but all in a silence she did not know, so that if she yielded to the silence she would not know those other things, and the whole place would be different and dreadful.

She stood up from the parapet against which she had been leaning, and shook herself impatiently. "I'm moithering," she said in a word she had picked up from a Red Cross companion, and took a step forward. If she could not get directly along Millbank, she must go round. Fortunately the City was at least partially lit now. The lights in the houses shone out, and by them she could see more clearly than in the bad old days. Also she could see into them; and somewhere in her there was a small desire to see someone-a woman reading, children playing, a man listening to the wireless; something of that humanity which must be near, but of which on that lonely bridge she could feel nothing. She turned her face towards Westminster and began to walk.
.
Charles Williams
All Hallows Eve (1948)
Chapter 1

Guest Author...

















[Constable - Barge below Flatford Mill]

A sneeky little extra post.  Not an Inkling, but Ronnie Blythe certainly would have been welcome in their company... today's column from the 'Church Times' London :
http://wormingford.blogspot.co.uk/2013/05/ronald-blythe-spends-some-time-messing.html

Love...


"Love anything and your heart will be wrung and possibly broken. If you want to make sure of keeping it intact you must give it to no one, not even an animal. Wrap it carefully round with hobbies and little luxuries; avoid all entanglements. Lock it up safe in the casket or coffin of your selfishness. But in that casket -- safe, dark, motionless, airless -- it will change. It will not be broken; it will become unbreakable, impenetrable, irredeemable. To love is to be vulnerable."

C.S. Lewis
The Four Loves

Part of a review of a detective novel...


Messrs. Cassell, on the jacket, ask "Why was Nahum afraid of life?"

I don’t understand. Aren’t Messrs. Cassell?

(Charles Williams)

The Long Defeat...





















In choosing to express my inner geekdom, I presently have SIX books by my bed that are by or related to Mr Tolkien (I have about 12 bed-side books in all just now), and last night I read something that kind of pinged me inside somewhere. Here's the quote:

Actually, I am a Christian, and indeed a Roman Catholic;
so that I do not expect 'history' to be anything but a 'long defeat'
- though it contains some samples of final victory.

Now, I don't think I've ever before come across anyone telling me that this is a (or The) standard Christian worldview - I suppose in the circles in which I've moved, the emphasis has tended to be that because God is living and active now, everything of His in the world is in the process of redemption (ie. everything's getting better). But now I'm not sure.

Everything in creation is decomposing (everything physical, I mean); I know that. We are in a world where humans are constantly trying to make things that last, whilst concurrently destroying (or at least messing up) the only things that actually do last - creation, friendship, God, etc.

Elves in Middle-Earth had a weird role. They had LIVED in paradise (the High Elves had anyway) and seen perfection. They remembered it. But they weren't a forward-thinking people - all their songs and ideals came from millenia previously, and it was all they could hope for to 'preserve all things unstained,' as Elrond said. I think all of us instinctively recognise something about the good old days which made them good in contrast to now, but we're told that we are silly to think like that. I'm not so sure.

Through the ages of the world we have fought the long defeat. [Galadriel]

The idea of the long defeat is definitely not very triumphant, in the Pentecostal style of Christianity. The Rohirrim ride 'for ruin and the world's ending', not for a present victory, which is only a fool's hope (says Gandalf). Recently, I've been noticing the sensation of 'hanging on' quite a lot: kind of a helplessness; the world's wheels are turning and I just need to keep going, keep hanging in there.

When he needed to, Sam saw a star through the smogs of Mordor and 'the beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him.' I need that. Just plodding through smogs is CRAP, however heroic a story we paint ourselves into. We need to know that we win, in the end, or even after The End. Otherwise, what's the point?

How can you prove a victory before
It's won? How can you prove a man who leads,
To be a leader worth the following,
Unless you follow to the death - and out
Beyond mere death.


Barfield and Longing


For much of the period of Barfield’s post-legal career he lived in Kent, first in South Darenth, later and chiefly at the house named Orchard View, not far from Dartford, looking out upon a wold that had long since lost its orchard bur retained a certain enchantment lent by the sense of unfolding distance. It was a peculiarly English setting, comforting, mannerly, harmonious, as though to confirm Barfield’s own assessment of himself as being “very English.” At the same time, the scene evoked a sense of Sehnsucht or longing (the concept that Barfield taught C.S. Lewis) with its undulating hills meeting the sky at an almost but not quite unreachable remove. This too corresponds to an essential dimension of Barfield that is not so much English as Romantic, and German Romantic at that. It is that aspect of his work that ponders and leads the reader to ponder the mystery and wonder of being, and it lies at the heart of his philosophy…

… Barfield as Sage – of Orchard View or of Forest Row – instead demonstrated those qualities of gentle but intellectually rigorous guidance that made C.S. Lewis call him “the wisest and best of my unofficial teachers”

Owen Barfield: A Life of Thought
A Barfield Reader (Wesleyan) 1999

A cold darkness...

A cold darkness was about her and within her, and at the end of that darkness the high vision of instruction and fair companionship was fading also in the night. Despairingly she called to it; despairingly with all her soul she answered: "I will go on, I will, but tell me how." The phantom did not linger gently to mock or comfort her; it was gone, and around her was an absolute desolation which she supposed must be death. All the pain of heart-ache she had ever known, all negligences, desertions, and betrayals, were gathered here, and were shutting themselves up with her alone. Beyond any memory of a hurt and lonely youth, beyond any imagination of an unwanted and miserable age, this pain fed on itself and abolished time. She lay stupefied in anguish.

From somewhere a voice spoke to her, an outer voice, increasing in clearness; she heard it through the night. "Child," Lord Arglay was saying with a restrained anxiety, and then, still carefully, "Chloe! Chloe, child!" She made a small effort towards him, and suddenly the pain passed from her and the outer world began to appear. But in the less than second in which that change took place she saw, away beyond her, glowing  between the darkness and the returning day...

Charles Williams
Many Dimensions (1931)
(Ch.9 - The Action of Lord Arglay)

Death in Tolkien’s legerdemain






















[ ‘Turin Turambar’ by Dovile Tarutyte ]

" 'Hail, Gurtholfin, wand of death, for thou art all men's bane and all men's lives fain wouldst thou drink, knowing no lord or faith save the hand that wields thee if it be strong.   Thee only have I now - slay me therefore and be swift, for life is a curse, and all my days are creeping foul, and all my deeds are vile and all I love is dead.'   And Gurtholfin said: 'That will I gladly do, for blood is blood, and perchance thine is not less sweet than many a one's that thou hast given me ere now'; and Turambar cast himself then upon the point of Gurtholfin, and the dark blade took his life." 

Turin Turumbar (Silmarillion) 


"Deserves it!  I daresay he does.   Many that live deserve death.   And some that die deserve life.  Can you give it to them?   Then do not be too eager to deal out death in judgement.   For even the very wise cannot see all ends.   I have not much hope that Gollum can be cured before he dies, but there is a chance of it.   And he is bound up with the fate of the Ring.  My heart tells me that he has some part to play yet, for good or ill, before the end; and when that comes, the pity of Bilbo may rule the fate of many - yours not least." 

Gandalf (RK-LotR) 

Holy Trinity Church, Headington Quarry, Oxford


In the graveyard of Holy Trinity Church in Headington Quarry, Oxford, lies buried a professor of Medieval and Renaissance English. As befits a scholar of literature, the epitaph on his tombstone (chosen by his brother, who was later buried beside him) is taken from Shakespeare; "Men must endure their going hence." Spoken by Edgar in the final act of King Lear, these words strike a tone of stoic resignation in the face of death, and some might be surprised to find them engraved on the tombstone of this professor, C.S. Lewis, who is best known as a defender of full-blooded Christian orthodoxy. What, it may be asked, of his Christian hope? 

However, the Lewis’ epitaph had more significance than is at first evident. In the room where Lewis' mother died there was a Shakespearean calendar hanging on the wall. His father kept the leaf from that day, and "Men must endure their going hence" was the quotation. Warnie thus paid tribute both to Jack and to Albert and Florence (Flora) his parents in this ‘less-than-obvious’ quote. 

"Really, a young athiest..."


Really, a young Atheist cannot guard his faith too carefully. Dangers lie in wait for him on every side. You must not do, you must not even try to do, the will of the Father unless you are prepared to "know of the doctrine." All my acts, desires, and thoughts were to be brought into harmony with universal Spirit. For the first time I examined myself with a seriously practical purpose. And there I found what appalled me; a zoo of lusts, a bedlam of ambitions, a nursery of fears, a harem of fondled hatreds. My name was legion. Of course I could do nothing -- I could not last out one hour -- without continual conscious recourse to what I called Spirit. But the fine, philosophical distinction between this and what ordinary people call "prayer to God" breaks down as soon as you start doing it in earnest.

From Surprised by Joy: The Shape of My Early Life (1955)
Chapter XIV
 

Christopher Tolkien gives his first ever press interview...
















The first ever press interview of Christopher Tolkien, the official executor of J.R.R. Tolkien's estate, and the interpreter of his father's unpublished works. This original article and interview appeared in Le Monde :  http://www.worldcrunch.com/culture-society/my-father-039-s-quot-eviscerated-quot-work-son-of-hobbit-scribe-j.r.r.-tolkien-finally-speaks-out/hobbit-silmarillion-lord-of-rings/c3s10299/#.UWrdLKLCbTq

Lewisian Ents?

Lucy woke out of the deepest sleep you can imagine, with the feeling that the voice she liked best in the world had been calling her name. She thought at first it was her father's voice, but that did not seem quite right. Then she thought it was Peter's voice, but that did not seem to fit either. She did not want to get up; not because she was still tired - on the contrary she was wonderfully rested and all the aches had gone from her bones - but because she felt so extremely happy and comfortable. She was looking straight up at the Narnian moon, which is larger than ours, and at the starry sky, for the place where they had bivouacked was comparatively open.

"Lucy," came the call again, neither her father's voice nor Peter's. She sat up, trembling with excitement but not with fear. The moon was so bright that the whole forest landscape around her was almost as clear as day, though it looked wilder. Behind her was the fir wood; away to her right the jagged cliff-tops on the far side of the gorge; straight ahead, open grass to where a glade of trees began about a bow-shot away. Lucy looked very hard at the trees of that glade.

"Why, I do believe they're moving," she said to herself. "They're walking about." She got up, her heart beating wildly, and walked towards them. There was certainly a noise in the glade, a noise such as trees make in a high wind, though there was no wind tonight. Yet it was not exactly an ordinary tree noise either. Lucy felt there was a tune in it, but she could not catch the tune any more than she had been able to catch the words when the trees had so nearly talked to her the night before. But there was, at least, a lilt; she felt her own feet wanting to dance as she got nearer. And now there was no doubt that the trees were really moving moving in and out through one another as if in a complicated country dance. ("And I suppose," thought Lucy, "when trees dance, it must be a very, very country dance indeed.') She was almost among them now.

The first tree she looked at seemed at first glance to be not a tree at all but a huge man with a shaggy beard and great bushes of hair. She was not frightened: she had seen such things before. But when she looked again he was only a tree, though he was still moving. You couldn't see whether he had feet or roots, of course, because when trees move they don't walk on the surface of the earth; they wade in it as we do in water. The same thing happened with every tree she looked at. At one moment they seemed to be the friendly, lovely giant and giantess forms which the tree-people put on when some good magic has called them into full life: next moment they all looked like trees again. But when they looked like trees, it was like strangely human trees, and when they looked like people, it was like strangely branchy and leafy people - and all the time that queer lilting, rustling, cool, merry noise.

"They are almost awake, not quite," said Lucy. She knew she herself was wide awake, wider than anyone usually is.

C.S. Lewis, Prince Caspian (1951)

The Opening of Graves


She rapped at the door; there came no other sound.  She rapped again; as if the wood thinned before her, she heard a quick breathing from within.  She did not knock again; she laid a hand on the door and gently pressed.

It swung.  She peered in.  It was dark inside and very long and narrow and deep.  Its floor slid away, hundreds of yards downward.  There was no end to that floor.  A little distance within the shed  the woman was sitting on the earth, where the floor began to slope.  She was not alone; the occupiers of the broken- up graves were with her.  They were massed, mostly, about the doorway; in the narrow space there was room for infinities.  They were standing there, looking at their nurse, and they were hungry.  The faces -- those that were still faces -- were bleak with a dreadful starvation.  The hunger of years was in them, and also a bewildered surprise, as if they had not known they were starved till now.  The nourishment of the food of all their lives had disappeared at once, and a great void was in their minds and a great sickness.  They knew the void and the sickness. 

Charles Williams
Descent into Hell (Ch. 11)

The Ring?


VERY interesting piece from today's Guardian Newspaper :
The Hobbit Ring... <<<<<< Click Here